Twittering Machines

July 6th, 2011

Terry Riley: Shri Camel

Posted by michael lavorgna in Music, Records, Some Records I Really Enjoy


Terry Riley
Shri Camel

Thought that is planned is tradition.
Thought that is unplanned is imagination.
Thought that is both is spirit.
- old Suli saying (from the liner notes)

I first heard about Terry Riley’s Shri Camel from Steve Cohen. Here’s what Steve had to say about it:

Beautiful works with the Yamaha YC-45D electronic organ tuned in just intonation and modified by computerized digital delay. Cycles of hypnosis can be found here. I intended to play an excerpt of the 11 1/2 minute “Celestial Valley” for the show, but ended up playing the whole piece as I was well, hypnotized. Let’s just say it was a very fast 11 1/2 minutes.

Steve was referring to his show on East Village Radio and this was written for a long-dead website but Steve’s sentiment remains valid since music doesn’t age – we do.

Terry Riley plays the shit out of that Yamaha YC-45D electronic organ. This record, released in 1980 recorded in 1978, is a product of Riley’s studies of North Indian raga singing with raga master Prandit Pran Nath in search of swara “the knowledge of profound pitch relationships which reigns supreme”. I love that quote so much its worth repeating – “the knowledge of profound pitch relationships which reigns supreme”. Dig it and it’ll dig into you.

Thanks Steve.

March 31st, 2011

Kronos Quartet: Winter Was Hard

Posted by michael lavorgna in Music, Records


Kronos Quartet
Winter Was Hard

Ask and yee shall receive, sort of. A recent trip to PREX yielded among other dollarish delectables one of my favorite Kronos LPs Winter Was Hard (it sure was). Released in 1988 on Nonesuch records, this is a mixed bag compilation – Aulis Sallinen, Terry Riley, Arvo Pärt, Anton Webern, John Zorn, John Lurie, Ástor Piazzolla, Alfred Schnittke, and Samuel Barber. The thing I asked for and received (sort of) is related to my recent frustration over the shitty-ass Compact Disc and its plastic fortress, a monument to wrong-headed über-design – Winter Was Hard contains “Half-Wolf Dances Mad In Moonlight” which is one of the movements from Terry Riley’s masterpiece Salome Dances for Peace and here, on vinyl, it sounds so much less digital* (even though this is a digital recording).

*A quick note on the whole CD v LP tired old jag – when someone can say with a straight face – Wow that record sounds great! It sounds so digital! we won’t have to argue any more.

But I enjoy each track equally – Aulis Sallinen’s title track with voices of angels (San Francisco Girls Chorus and Earl Miller reed organ), John Zorn’s “Forbidden Fruit” is a wild mad-cap cut-up with shiver-inducing vocals by Ohta Hiromi and turntableing by Christian Marclay, Arvo Pärt’s exquisite “Fratres” sounds convincingly heavy and spirit-filled, and Anton Webern’s “Six Bagatelles Op. 9″ fits neatly in between. John Lurie’s “Bella By Barlight” which opens side 2 is all downtown amber-hued slippery funk, Astor Piazzolla dares us to dance, watch your step!, with “Four, For Tango”, Alfred Schnittke’s sly and lovely “Quartet No. 3″ sounds like more, Samuel Barber’s “Adagio” is, well, moving, and the 37 second closer “A Door Is Ajar” wraps things up nicely with a slam! just in case you missed the attitude.

A $2.99 movable feast from David Harrington (violin), John Sherba (violin), Hank Dutt (viola) and Joan Jeanrenaud (cello).

March 23rd, 2011

Kronos Quartet: Plays Terry Riley Salome Dances for Peace

Posted by michael lavorgna in Music


Kronos Quartet
Plays Terry Riley Salome Dances for Peace

Have you ever had music in your belly? As opposed to a song in your head? I was craving some specific piece of music lately and I kept confusing the thoughts in my head with the feelings in my gut. So I naturally kept misinterpreting my craving and picking the wrong song. Then it hit me, around lunch time oddly enough, I was wanting a string quartet. There’s nothing like a string quartet around lunch, and what’s more I was wanting the Kronos Quartet. But the last piece of my musical sandwich, the meat in between if you will, was Terry Riley’s Salome Dances for Peace.

Even though Kronos Quartet Plays Terry Riley, Salome Dances for Peace was released on LP, a double LP from Elektra Nonesuch originally released in 1989, I own the shitty CD. Shitty because of tiny little liner notes, shitty because of its overly stupidly-engineered complex plastic fucking case. This one is even worse because its a two-CD package which requires multiple sets of hinges, trays and compartments like a tiny military installation for a tiny army of cockroaches. I imagine a post-nuclear world with cockroaches living happily ever after in condominiums by the sea made entirely of CD jewel cases. Or to put it another way, you know your packaging design is overly designed and shitty when a cardboard sleeve kicks your designs ass. Whoever designed the CD ‘jewel’ case was not very familiar with elegant or sensual or simple.

Thankfully, the music more than makes up for the lame-ass overly complex world of plastic packaging design (not to mention the abomination that was its protective in-store outer-security case which required a specially made machine to remove it). This music is so moving it even transcends the overly complex and what-the-fuck-were-they-thinking world of the CD. Whoever designed the CD was not very familiar with elegant or sensual or simple.

I love the story of Salome. Don’t you? “Going out of my head over you, out of my head over you, out of my head day and night, night and day and night wrong or right.” A scene acted out every day and night wrong or right all around the world from bedrooms to brothels to strip bars to strip malls and all the places in between. “And I think I’m going out of my head. Yes I think I’m going out of my head.”

Terry Riley writes Salome a new chapter – “Now, 2000 years after Salome’s famous dance, peace has been stolen from the Earth by dark forces, and Salome is chosen to win it back. In Anthem of the Great Spirit, the first part of Salome Dances for Peace, Salome is summoned to the Great Spirit, who sees in her the embodiment of the feminine force.” Salome spends the rest of her time traveling the world and underworld spreading and enforcing the word of peace by sometimes luring with her historic piece of ass (crude I know but that’s what we’re talking about – those seven veils didn’t cover her beautiful personality) and the music travels with her – stylistically, emotionally and emotively in a whirlwind of genres, styles, mores, moods and more for 100 god-damned minutes. Eastern, Western, Middle Eastern, hot, cold, blue, bluesy, jazzy, minimal, romantic, dissonant, melodic, ceremonial, folk and more all woven into a single magic carpet ride.

Kronos Quartet Plays Terry Riley Salome Dances for Peace is breathtaking in its scope and seamless diversity. I’d call it a moving masterpiece of movement. A time bomb for peace.

Here’s some of what Terry Riley had to say about the Kronos Quartet – “Theirs is a gift to plumb the mysteries of those little black notes lying dormant on the page that long for a release into the Tantric play of the universal sound. A gift of illusion that lets us hear the seamless transformation of one musical fabric into another. A gift of patience that allows the rapture to build on ever increasing levels and the gift for expression with quiet conviction that this is the most natural, this is “the way it should go.” And most important, the gift that allows four joyous souls to fly as one into uncharted lands.”

Anchors away!

(more…)

April 24th, 2008

The $1.00 Bin: Terry Riley

Posted by michael lavorgna in Music, Records, Some Records I Really Enjoy

rainbowTerry Riley
A Rainbow in Curved Air

A hearty vegan aural love-fest for a buck. If you’re minimal and you know it clap your hand (repeat). Terry Riley, the man that makes Devendra Banhart seem mean, plays all the instruments on this disc including electric organ, electric harpsichord, rocksichord (also used by Sun Ra and Stereolab), dumbec, soprano sax and tambourine (mandatory as far as I’m concerned). Riley’s 2nd LP release from 1967, Rainbow which has been described as “spooky” “haunting” and “enduring” includes the title track and “Poppy Nogood and the Phantom Band” and a poem (also mandatory):

Excerpt:

And then all wars ended / Arms of every kind were outlawed and the masses gladly contributed them to giant foundries in which they were melted down and the metal poured back into the earth / The Pentagon was turned on its side and painted purple, yellow & green / All boundaries were dissolved

July 16th, 2007

Playlist: Toots, Riley, Alice, Jimi and Branca

Posted by michael lavorgna in Music, Records

Here’s a Playlist that worked for me the other night. I’d call it roots raga rock paper scissors.  They went together surprisingly well.

funky kingston
Toots & the Maytals
Funky Kingston

terry riley
Terry Riley
Songs for the Ten Voices of the Two Prophets

alice coltrane
Alice Coltrane
Universal Consciousness

jimi
The Jimi Hendrix Experience
Are You Experienced

glenn branca
Glenn Branca
Symphony No. 3 (Gloria)

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